![]() ![]() Instead, she holds both up to the laptop camera: Calm the F*ck Down and Fuckity Fucker. She refuses to share, however, the title of her coloring book, one of two Halle got her for her birthday. She shares this deeply real revelation fewer than five minutes into our Zoom call. “I’ve gotten hooked because I don’t really communicate how I feel inside,” Chloe tells me of her new hobby on a quiet mid-July morning in Los Angeles, her cute bubblegum-pink spaghetti-strap bodycon dress begging to be let out of the house, her locs swinging around her shoulders as she fills in a trippy-looking stag’s head. It’s their new wind-down activity-a way to tap into that inner-child energy they sing about staying connected to on Ungodly Hour’s ode to self-love, “Baby Girl.” The part of you that’s unjaded and hopeful. “Yes,” Halle replies without missing a beat or looking up from her coloring book. And while they’re moving through all that growth gracefully, “I’m so…am I on edge?” Chloe asks her sister. It’s Chloe x Halle’s all-grown-up offering after their adolescent 2018 debut, and it’s a proclamation to the world-a reintroduction, if you will-that Chloe, 22, and Halle, 20, are women now. That synergy is what elevates their most recent album, Ungodly Hour, above basically everything else. So singular, in fact, that when asked if they could be interviewed individually for this cover story, their publicist politely explained that no, “Chloe x Halle is one artist, together.” So you should know by now that when it comes to music, the sisters are a singular force.
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